11:02
Trick For Shooting Interviews With Only 1 Light
In Depth Cine
18:19
The Art Of The Long Take
13:36
Why Movies From The 70s & 80s Look Like This: Kodak 100T 5247
12:57
The Cinematic Lighting Trick Hollywood Uses
13:24
The Crop Factor Myth Explained
15:32
The 2 Ways To Shoot Car Scenes
13:19
What Makes Anamorphic Lenses Different?
12:42
How Does A 3D Cinema Camera Work
12:48
5 Reasons To Light Films With Colour
14:35
What Makes IMAX Different
13:01
How LUTs Can Elevate Your Cinematography
16:02
How To Use A Clapperboard The RIGHT Way
13:42
Cinematic Lighting Vs Natural Lighting
12:51
35mm Film Formats Explained
14:07
Grip Rigs For Cinematic Camera Movement (Part 2)
12:40
The Most Popular Cinema Lenses (Part 6): Zeiss, DZOFilm, Leica, Angénieux
13:49
Netflix Approved Cinema Cameras
13:17
Shutter Angle In Cinematography Explained
13:55
How Movies Are Shot On Digital Cinema Cameras
11:19
The Film From 1959 That Hollywood Still Shoots Movies With: Eastman Double-X
12:45
Getting Kodak To Bring A Film Back From The Dead: Kodak Ektachrome
15:04
How Virtual Studio Sets Are Changing The Way Movies Are Made
14:02
The Pros And Cons Of Shallow Depth Of Field
12:41
Choosing The Right Aspect Ratio For Your Film
11:41
The Last Colour Negative Motion Picture Film In The World: Kodak Vision 3
12:05
5 Reasons Why Zoom Lenses Are Better Than Primes
10:14
5 Reasons Why Prime Lenses Are Better Than Zooms
11:35
Frame Rate In Cinematography Explained
11:12
Do Cinematographers Like Lens Flares? Textured vs Clean Images Explained
11:34
Why Most Movies Are Shot On Arri Cameras
10:43
Why Some Shots In Movies Feel Different
11:07
Using Colour To Tell A Story In Film
12:00
Does Sensor Size Matter?
11:28
The Most Popular Cinema Lenses (Part 4): Panavision, Tokina, Atlas, Canon
11:56
How Movies Are Shot On Film In The Digital Era
11:53
4 Camera Moves Every Filmmaker Needs To Know
The Most Popular Cinema Cameras (Part 3)
9:24
4 Ways To Light Cinematically Without Any Lights
10:13
Grip Rigs For Cinematic Camera Movement (Part 1)
11:04
The Most Popular Cinema Cameras (Part 2): Arri, Red, Panavision, Sony
11:22
The Pros & Cons Of Film Vs Digital: Featuring Robert Yeoman
13:12
How To Shoot An Interview In 3 Steps
12:27
4 Types Of Film Lights Every Cinematographer Needs To Know
11:10
The Most Popular Cinema Cameras (Part 1): Arri, Sony, Red
9:13
The Most Popular Cinema Lenses (Part 3): Leica, Panavision, Kowa, Tribe7, Bausch & Lomb
12:28
Why Shoot Modern Movies In Black & White?
10:47
The Most Popular Cinema Lenses (Part 2): Zeiss, Canon, Cooke, Arri, Angénieux
8:33
The Most Popular Cinema Lenses (Part 1): Zeiss, Panavision, Cooke, Hawk
12:06
5 Lighting Concepts Every Cinematographer Needs To Know
8:47
How Camera Movement Makes Horror Terrifying
9:15
The Difference Between Anamorphic And Spherical Lenses Explained
8:06
Why Lens Choice Matters In Cinematography | Focal Lengths